5th Grade VERY beginning Orchestra
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Tagged: beginning strings, orchestra, reading
As much as I love my new job, I have however run into a curricular problem that I am really, really stuck with. My predecessor in the elementary school taught students half by rote and half by writing the letter names under every single note. As a result, students cannot audiate and cannot read music. They cannot identify a single note or name on the staff, play back tonal patterns, match pitch by singing, play together, and they also don’t have any general music language. Additionally, their executive skills are poor and they have not had much discipline. I should also note that to them I am a new teacher. Their teacher from last year moved onto a new position and they are also adjusting to seeing a new person teaching their class.
I simply do not know where to begin with them! Because they are under so much pressure in other classes, they have an abundant fear of change and new routines. They also firmly believe they have had a whole year of musical training and do not want to feel as if they need to go back and do things over.
Do you have any advice on how to build a curriculum based on these issues or how to start approaching this class? I have reorganized the class several times as it took me a while to understand how much the students really did not understand. I have also played for them a few times, tried to teach small sections by rote, slowly introduced words like “staff”, “clef”, and the concept of reading music to them.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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