A LOT of percussionists
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Tagged: band
Hi!
I am currently struggling with figuring out what to do with my multitudes of “percussionists.” All of them just want to play snare drum parts however I cannot have 10+ snare drums playing at once and the other students get bored with the cymbal parts or whatever else there may be. Is there any way to keep all of the students interested in more than just the snare drum part? I am looking for any feedback possible; I only see the students once a week for 45 minutes so time is of the essence.
Hey Ralph,
Does your rehearsal space have any practice rooms, specifically rooms where students could go practice rudiments on pads when not having anything to rehearse with the rest of your ensemble?
Also, often times bored percussionists have a tendency to play with very poor technique. Even if the music is relatively simple, you can challenge them to strive for perfect technique when playing cymbals, bass drum, auxiliary, etc.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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