April Mentor – Introduction and Invitation
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Frontpage › Forums › Music Composition › April Mentor – Introduction and Invitation
Greetings NAfME Fellow Members,
My name is Lois Veenhoven Guderian and I am the April Mentor in Music Composition.
More than 20 years ago I started to consistently include music composition as an integral part of my middle school general music curriculum.
Twenty years later I am only doing more, and hopefully better work with my students in this area of music education.
Currently, I am the Music Education Coordinator at the University of Wisconsin-Superior. More than ever before, I continue to engage my non major general music students in higher education, my music majors in music methods courses and my elementary classroom education major students in ways to engage in creative music making and in learning ways to engage their future students in creative application of skills and understandings through music improvisation and composition.
In fact, this morning, 12 pre-service educators and I were working with Kindergarten, 2nd grade and 5th grade students in 3 separate fieldwork projects in the schools with special emphasis in music composition. Composition is always a part of our teaching and learning fieldwork in the schools and as you can imagine, the young students and their teachers love our work.
I am passionate about giving children and youth opportunities to apply what they are learning in music class in creative ways. I assume that you are also passionate, or at least interested in teaching and learning in music improvisation and composition and that is why you have logged in to the composition site.
I invite you to participate.
Here are some opening questions for our discussions. What age group do you teach and do you include composition in your curriculum and teaching and learning in your music classroom? What would you like to know about in regard to teaching and learning in music composition? For example, would you like some leads on research or resources? Are you most interested in learning the know how, that is, instructional strategies and how they might align with state and national standards? These are just a start.
I hope to hear from many of you and that together we can generate lively discussions that will benefit all of us.
Best,
Lois
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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