Assessing the Assessors
- This topic has 1 reply, 2 voices, and was last updated 9 years, 4 months ago by .
- The forum ‘Band’ is closed to new topics and replies.
Standard #7 Evaluating music and music performances.
We’re moving towards a model where 90%+ of our Assessments are Summative Assessments, with a de-emphasis on the Formative Assessment. The discussion therein is for another day. My question for anyone out there is this:
We’re teaching our students how to evaluate a performance of music. We’re using an Assessment form from our state’s Music association that I modified for 7th grade band student use. I’ve gone through the different categories (Tone/Balance, Intonation, Technique, Expression) I will have them evaluate and taught them what to listen for and how to express that on the form. I even put space under each category for the students to justify their assessment and make suggestions for improvement.
The question is this; how do I assess their assessment? We have a form we created to assess all of the skills they demonstrate on their instrument (scales, reading/performing rhythms, etc.) with Mastery Levels indicated (Advanced, Proficient, Basic, Minimal, and Not Observed). Any thoughts about what I can include on an assessment form for their own assessment of someone else’s performance? What criteria do the students need to meet to be considered “Proficient” at Evaluating a music performance?
Thanks!
I know it has been almost a year since your post, so I don’t even know if you still want a reply. If so, I would say that you should make them justify every rating/ranking they assign. That way you have clear evidence of their comprehension of the subject.
A Form & Analysis professor of mine in college “gave” me “F”s on, I think, 6 papers in a row. Perfect and always correct as I know I am, I approached her to inquire about this undoubted mistake. She said, “I understand what you are going for and I could possibly agree. However, you must justify your arguement. I shouldn’t have to guess. If you can justify your opinion, I know you understand the concepts I went over.”
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.