Beginning band method for small ensemble
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Hi,
I am starting year two of creating a beginning band program at a private elementary/middle school with no previous existence of an instrumental program. Last year consisted of a private lesson program partnership with a local university. At the end of the year, 4 of the 5 participating students were formed into a small ensemble to play at the recorder program with great success.
This year, we are continuing the private lesson program for continuing and new students, and the 2nd year students will have a pull-out band program once or twice a week. I would like to use a band method book with the pull out program, but I wanted to check here if there are any particular methods that would be more successful with limited instrumentation and a very small number of students.
Potential instrumentation is:
1 flute
1 clarinet
1 saxophone
1 French horn
2 percussionists
(there is also the possibility of a violinist, but I’m not convinced it’s appropriate for her to participate)
I am leaning toward Accent on Achievement, Standard of Excellence, or trying out the new Tradition of Excellence.
Thanks!
Mary
When I taught in a situation similar to yours I used Standard of Excellence in addition to the “Bach and Before” series by David Newell.
Just so you can compare each student had 2 small group 20 minute lessons a week. The 1st year students started in December with large ensemble rehearsals once a week for 30 minutes and the second year group received two 30 minute large ensemble rehearsals a week. All large ensemble rehearsals were in addition to the lessons and when I say large ensemble rehearsals I am talking groups just about 5 people larger than what you have posted above.
Hope that helps.
I love accent on achievement. They have a few books with 3 different parts. You can decide who is on part 1, 2, or 3. I have used the holiday one and its great for those small or strange instrumentation groups.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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