Favorite "composition" teaching experience?

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  • #11307
    nafmeadmin
    Keymaster

    I’ve enjoyed teaching quite a few music composition lessons to middle school and high school bands, but I’ve also had some that have been very rough experiences. I thought it might be fun to share some of our success stories to inspire one another.

    One of my favorites was when I asked middle school band students to come up with creative sounds, but not on their band instruments, so we could build a “soundscape” composition, and one of the students contributed “arm pit farts”. I went with the flow and it was a composition with humor!

    Another favorite experience was having students compose some short melodies or duets in pairs or trios, and then collecting all of the mini compositions and combining them into one big piece. I picked out one of the melodies I liked best, and made it a rondo theme, alternating the other students melodies with the Rondo. I printed out the music in all the keys for each band member to play, and then asked the group to collaborate with me on adding orchestration notes, dynamics, tempo and articulation. Everyone’s melody got included and the students expressed a lot of enthusiasm for the project.

    #15232
    nafmeadmin
    Keymaster

    I enjoy John Cage type aleatoric experiences with students using I-phone Multitrack recording apps to create musique concrete compositions…

    #15329
    nafmeadmin
    Keymaster

    Hi Alexander and Peter: You might be interested to know that there is a new book coming out soon (titled “Musicianship: Composing in Band and Orchestra”), which will be a compilation of composition exercises designed for use in ensemble settings (K-12). The exercises have been written by a wide variety of experienced composers/educators, compiled and edited by David Stringham and Clint Randles. It will be published by GIA, some time in the near future. Keep an eye out for it, because it will offer you many suggestions of successful exercises for various levels.

    …Paul

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