K-5 Learning Targets: An important reality of the job.
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Tagged: learning targets, lesson plan, standards
It is important that your students walk into your room every day, with you having carefully prepared the next lesson for them. What is sometimes missing from K-5 Music lessons (as we are such a performance-based class, aren’t we!?) is the need to clearly state and write out your learning targets. This practice is not new for your gen-ed colleagues, but has become more a “new thing” for some music teachers.
First, you should identify the kind of learning target your are teaching towards, and have it relate DIRECTLY to the specific national standard(s) you are addressing….
The various learning target types are:
1. Knowledge Level: represents factual knowledge, from memory, procedural knowledge, explaining a concept. BE WARY of using the word “understands”.
2. Reasoning Level: represents a student’s thought processes, such as execute, predict, infer, compare, hypothesize, critique, evaluate, etc…
3. Skill Level: represents a real-time demonstration or physical performance. All performances must have a quality rubric attached and taught to students.
4. Product Level: represents an actual physical product produced by the student.
Next, be sure to clarify and define any potentially confusing words for students.
Lastly, convert the learning target into student-friendly language. Keep it simple.
Here are some examples: (Today, I am learning to… or I can…)
I can tell when music is fast or slow. This means I know when music is fast like a (insert rabbit picture), or slow like a (insert turtle picture).
I can use music vocabulary to describe what I hear.
I can use music vocabulary to explain what I like or don’t like.
I can demonstrate appropriate audience etiquette.
I can identify instruments, their families, and their ensembles.
WHAT ARE SOME OTHER LEARNING TARGETS THAT YOU HAVE FOUND SUCCESSFUL IN YOUR CLASSROOM?
Val Ellett
Northwest Division Representative
NAfME Council for General Music Education (NCGME)
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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