Making Pre-Concert Classes Fun
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I am in my third year of teaching and teach 6th, 7th, and 8th grade chorus. I have 160 students in my combined 7th and 8th grade chorus and 72 in my 6th grade chorus. I see them in small groups over a three day rotation and we meet full group once a week (if we’re lucky) for a half hour at the end of the school day. Our concerts are the first week of May and with PSSAs we won’t have the opportunity to meet full group for the next three weeks. (Which leaves two days before the concert).
I find that before concert time I tend to become very strict with my students which can lead to stressful, not so fun, classes for all of us. I know it is a necessary evil in order to shape them up and become performance ready but I don’t want the drill/practice along with my ‘nagging’ to kill the fun and enjoyment of being a chorus member before concert time.
I am looking for advice on how to buckle down without killing the mood. How do I get students to be serious about memorizing their songs and practicing for performance (performance quality) without losing all of the fun/positive vibes? Any good practices out there? What do you like to do?
You may find that it is more effective to incorporate more discipline right from the beginning of school. You have great participation right now, so you don’t want to completely upset the apple cart, but you may find that the majority of your students appreciate a more controlled environment. This would allow you to be the same engaging, entertaining teacher that you are as the concert approaches.
Jeff
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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