Overseas travel with jazz bands
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Has anyone traveled to Europe with their Jazz Band? What do you do about rhythm section amps and instruments? Do you bring them all along (including keyboards, voltage transformers / adapters and a string bass?) or do you rent them overseas for the entire trip or at each performance venue? Please share your success stories and your horror stories, too!
Sorry to take 4 mos to respond to your question! I am usually on the Band forum.
I have never taken a group to Europe, but I have taken groups overseas. Last April, I took our concert and jazz bands to Hawaii and the overseas rules applied. We rented the drum set, amps, bass, keyboard and guitar. It was expensive, but it solved two problems: having to schlep the equipment around to hotel rooms, etc and the problem of air travel. I asked local professional musicians and local band directors and found that they did the same thing. You show up to the gig and the instruments are there, ready to go. One thing to beware of, though – the quality of some of the instruments was not the best. If you rent, be sure to interrogate the rental people thoroughly about the quality that you expect. Hope that still helps.
Thanks for the input, Pam. I was researching for a clinic that I presented at the JEN Conference in January. What you wrote summarizes my findings and my recommendations quite well. Excellent point, too, about being as specific as possible about the quality of the instruments. Please come back and visit the jazz forum again soon!
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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