Recorder grade
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Tagged: grades
Am I justified in giving a third grade student a grade of 2 (below grade level expectations, making progress) on her report card? The student likes music, but thats about it. She doesn’t practice, and admits this. She doesn’t fool around in class. She can not play any of the song we are doing in the concert in a few weeks. She can play G up to D, but cannot play FED or C. I have GLEs and she is below that. If we are giving students grades to record how much they love music, or to encourage them in music, I really don’t see the point in grades. Sorry, I’m venting a little. Thoughts?
I don’t know what your report card says, but in my district we have skills/benchmarks listed and give marks separately for each one. It certainly sounds like the student you described should receive the 2. I would probably make a comment to explain that so the parents and student would know. I would probably also include a “prescription” for how to improve: “So and so is having difficulty playing all of the notes we have studied on the recorder. It would help if she/he would practice at home.” That is probably a more helpful comment earlier in the year, but I try to state the concern along with a suggestion for how to improve.
My report card uses words like “works toward” and “shows improvement”. It’s not about the end result but about the process. For recorders I also have practice charts that are on the report card which seems like where your student would lose a lot of points.
But in general, I HATE giving grades for instruments. It goes against every musical bone in my body. But its required. ugh.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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