Resistance to pull out lessons
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Tagged: advocacy, orchestra, Pull-Out Lessons
On another note, several of the 4th and 5th grade teachers are strongly opposed to the music program as it pulls kids out of class for 45 minutes 2-3 times a month on a rotating time slot. I send my lesson schedule along with an invitation to discuss concerns or questions with me each week to teachers, but have not received any responses. I have also let teachers know that their students can miss a lesson if they have a test to take, but the student must let me know so the lesson can be rescheduled. Additionally, I have studied the common core for each grade level and have asked teachers to send me a general idea of what they are teaching when so I can incorporate their materials into my lesson ( ie. doing an Erie Canal song for NYS, slave songs for NYS history, story telling, character traits translated into musical terminology and technique, etc). I have heard zero responses and assumed that things were okay. I recently found out several teacher have reached out to parents telling them to pull their kids from orchestra and band or else their children would fail their tests and classes. I’m unsure about how to approach this problem and I do not think I have a sympathetic principal.
What can I do to advocate for my music program in this situation? How can I approach this situation in a way that will inspire progress instead of petty arguments? Is there anything else I can do to make my classroom more transparent?
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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