Special Needs and Folk Dancing
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I have a third grade student who uses a walker. I would love to teach folk dance in class however I am inexperienced when it comes to making accomodations. I guess I’m afraid of hurting his feelings if he does the actions in place!
Thank you for any suggestions.
The folk dance curriculum Teaching Folk Dance: Successful Steps by Phyllis Weikart includes suggestions for almost every dance for “chair dancing”–basically doing the dance from a stationary position. Maybe with the class that he is in you could teach the dance initially this way, then once the larger group is ready to put the dance in a circle or line you could have half of the class do the dance the traditional way while the other half continues to do the chair dance version, and then switch… that way the boy wouldn’t be doing the stationary version by himself. I am not sure if the book I have is still being published–there is a newer book by Weikart called Teaching and Movement and Dance… I’m not what the difference is between the 2 books, but according to this table of contents http://catdir.loc.gov/catdir/toc/ecip069/2006006373.html it explains chair dancing used as a modification.
Is it the kind with wheels or the kind without? I used a walker in fourth grade – the kind without wheels – and I could actually move pretty fast in it (but only when the teachers weren’t looking 😉 ). The bigger issue would be that his arms aren’t free. If he can move around reasonably well this or a similar contradance might work: http://www.dancingmasters.com/newdances/kings_and_queens.html The emphasis is on acting like royalty (read: slow and stately). Or perhaps a circle dance: walking around the circle, in towards the middle, out again, etc.? It depends on his specific situation.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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