Stations or Centers in general music
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Does anyone use any sort of stations or centers that students rotate through during class? I’ve considered trying it in the past, but I’ve never seen it in action in a general music room, and I’m looking for ideas to use. Any tips? Thanks!
A fantastic article on music centers is by:
Susan Kenney
The Importance of Music Centers in the Early Childhood Class
General Music Today Fall 2004 18: 28-36, doi:10.1177/10483713040180010106
This article provides excellent hands-on ideas that work.
In our age of technology, the following adaptations could include:
To generate very low sounds (if you don’t have bass bars or wish to hear sounds lower
than your bass bars), use an iPad with an application such as MorphWhiz, which will
enable you perform a broad pitch range of sounds.
For a personalized steady beat experience, children could wear an iPod with headphones (kept at a “piano” dynamic level), select their metronome sound from a metronome app, and generate 3 different ways to keep a steady beat while sitting on a chair.
The possibilities for variations on ideas for musical centers are limitless.
Enjoy!
Dr. Katie Carlisle
Southern Representative NAfME Council for General Music
Georgia State University
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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