Summer School Music
- This topic has 1 reply, 2 voices, and was last updated 9 years, 10 months ago by .
- The forum ‘General Music’ is closed to new topics and replies.
Frontpage › Forums › General Music › Summer School Music
Tagged: summer program
Starting next week I will be teaching a group of 12 3-5th graders at a summer enrichment program in an inner-city school. I am excited because I have them for an hour a day for two weeks and I feel like they can accomplish a lot. I have no resources and the principal seems to want something more chorus-geared. The kids have never had music class and I do want to do general music lessons, but have them somehow connect with a theme or something so the kids have a reason to want to come everyday. I was thinking of having a tour around the world and having them explore rhythm, pitch, form, ect, through folk songs from all over, but I also want the lessons to be full of them learning the academic stuff in a good order of difficulty. Does anyone have any ideas?
I’m doing something similar with students in the Philippines for 8 weeks. Currently we are studying timbre through body percussion. We learned about timbre, ostinato, improvisation, refrain, and form. The first week they were free to come up with absolutely anything but had to use 3 different body percussion timbres. The next week I taught about ostinato and they had to layer 3 ostinati. Next was improv, refrain, form, etc. Each week had a new term and so they created a new (short) performance. At the end of our time together they will perform a larger body percussion piece that they create. I’m also considering allowing them to have a week where they can use props instead of body percussion.
I have to integrate choral pieces into my general music class during the school year so I feel like I have a good balance of general music concepts as well as performance prep. The final concert might be mostly choral output, but that doesn’t mean the students can’t learn a bunch more about music!
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.