Who's on first?
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What do you have your students play in your 1st guitar class?
In the classroom, I start with setting the students up properly. We spend about 5 minutes talking about proper sitting position and explaining the advantages of sitting and holding the guitar properly. I teach them to sit and hold the guitar in classical position, but immediately demonstrate how I might hold a steel string guitar or stand with an electric guitar. With each, I explain the rationale for good technique and how I’ve adapted my classical technique to suit the position I hold the steel string and electric guitar in. Don’t worry, kids, playing with good posture and hand position can still look cool PLUS you can play faster, better, and longer!
Then, we play some basic finger exercises to get the LH and RH moving together. I like to start out with some ear training right away. After going through some basic exercises, then we’ll do a “Copy me” session. I play four beats, they copy. And we go back and forth, back and forth, for about 5 minutes. Not only do we get to practice good technique (and I’m always calling out corrections in technique to individuals), but we get them listening on the very first day. And, it’s a great classroom management tool. The kids are focused and playing for 5 minutes uninterrupted on the first day!
.Darin, I love it. I think playing the first day is key
we use classical guitars so I take a period on proper sitting position and how to hold the guitar and what to do with their arms and hands. I get them working on simple warm-up exercises from Scott Tennant’s “Pumping Nylon” book. It gets my students working on finger independence, facility and coordination. There are some other finger warm-ups I created that I add and eventually rotate through each week. I take tempos very slow to focus on tone and sound production. Doing these exercises everyday gets them prepared for playing 1st position chords and progressions.
Christopher M. Johnson, Professor of Music Education and Music Therapy, is currently the Chair of the Music Education and Music Therapy Department and Director of the Music Research Institute at the University of Kansas. Johnson earned his Ph.D. from the Florida State University.
Since his arrival at The University of Kansas, Johnson has taught courses in Instrumental Conducting, Teaching Instrumental Music, Managing Behaviors in the Music Environment, Psychology and Acoustics of Music, and Research Methods in Music Education and Music Therapy. Johnson served two terms as the editor of the International Journal of Music Education: Research, the research publication of the International Society for Music Education. He is currently serving his second term on the National Association for Music Educations Executive Committee of the Society for Research in Music Education. He also served on the editorial board of the Journal of Research in Music Education, and one earlier term as the Chair for the MENC Executive Committee of the Society for Research in Music Education. Johnson also served as the Chair for the Research Commission of the International Society for Music Education.
Johnson’s research interests include applied research in music education, and basic research in all aspects of the psychology of music. He has published articles in many journals including the Journal of Research in Music Education, the International Journal of Music Education, the Journal of Music Therapy, Journal of Band Research, Contributions to Music Education, and the Bulletin of the Council for Research in Music Education, among others. Johnson has also been an active member and contributor to the Research Seminar of the International Society for Music Education and World Alliance for Arts Education.
Johnson received a university teaching award – the Ned N. Fleming Award for Excellence in Teaching and received the recognition for Graduate Teaching Achievement from the Center for Teaching Excellence. Johnson was also awarded a lecturing & research award as a J. William Fulbright Scholar and recently received the Ella Scoble Opperman Citation for Distinguished Achievement from the Florida State University College of Music.
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