jazz

An Important Voice in Music Education

An Important Voice in Music Education In Memoriam Chris Vadala  By NAfME Member Peter J. Perry This article first appeared in the April 2019 issue of Teaching Music magazine. On…

Guitar Class in the Keystone State

Guitar Class in the Keystone State Number 15: The Commonwealth of Pennsylvania By Thomas Amoriello Jr. NAfME Council for Guitar Education Chair Today we visit Saint Marys, located in Elk…

Guiding and Learning from the Audition Process

Guiding and Learning from the Process Educators use a variety of strategies to guide students through the application process for the NAfME All-National Honor Ensembles—and pick up new strategies for…

Fresh Professional Development for Spring 2019

Fresh Professional Development for Spring 2019 Dozens of Hours of Professional Development for $20 a Year NAfME Academy is an easy way to access content specific, peer-reviewed, and innovative professional development sessions…

“Jazz Is the Aspirational Sound of Our Democracy”

“Jazz Is the Aspirational Sound of Our Democracy” An Interview with All-National Honor Jazz Ensemble Conductor Todd Stoll and 2019 Guest Soloist Camille Thurman Todd Stoll was once again the…

Renowned Conductors to Lead the 2019 NAfME All-National Honor Ensembles

For Immediate Release Media Contact: Kristen Rencher 571-323-5898 KristenR@nafme.org Renowned Conductors to Lead the 2019 NAfME All-National Honor Ensembles The Nation’s Top Student Musicians to Perform in Six Ensembles in…

Bassoonists Can’t Play Jazz and Other Lies, Part 2

Bassoonists Can’t Play Jazz and Other Lies, Part 2 By Jeffrey Stepien with Anne Wagener Including nontraditional instruments in the jazz ensemble can attract more students to your group and…

Bassoonists Can’t Play Jazz and Other Lies

Bassoonists Can’t Play Jazz and Other Lies By Jeffrey Stepien with Anne Wagener If you’re wondering whether your jazz ensemble will work without trumpets or with some clarinets, bassoons, or…