Ensembles
Incorporating More Assessment in Your Orchestra Classroom Finding the Balance between Assessment and Rehearsal By NAfME Member Daniel Lytle I find accurately assessing my orchestra students to be challenging. It…
Recording Strategies for Auditions Tips for Quality Recordings By NAfME Member Tomás Cotik This is an expanded version of an article that first appeared in the April 2021 issue of…
Observations of Guitar Class in 50 States By NAfME Member Bill Swick This article first appeared in the January 2021 issue of Teaching Music. Guitar education reflects diversity and provides…
Resources for Learning the Violin Audition Excerpt: Schubert Symphony No. 2, Mvt. 1 By NAfME Member Tomás Cotik Copyright © by Tomás Cotik – All rights reserved. The April 2021 issue…
Resources for Learning the Violin Audition Excerpt: Mozart Symphony No. 39, Mvt. 2 By NAfME Member Tomás Cotik Copyright © by Tomás Cotik – All rights reserved. The April 2021 issue…
Curtains Up! Pathways to Theater and the Fine Arts during COVID-19 By NAfME Member Brian Cyr An abbreviated version of this article first appeared in the Connecticut Association of Boards…
Resources for Learning the Violin Audition Excerpt: Mendelssohn Symphony No. 4, Mvt. 1 By NAfME Member Tomás Cotik Copyright © by Tomás Cotik – All rights reserved. The April 2021 issue…
Resources for Learning the Violin Audition Excerpt: Mendelssohn A Midsummer Night’s Dream, Scherzo By NAfME Member Tomás Cotik Copyright © by Tomás Cotik – All rights reserved. The April 2021 issue…
The Virtual Performance Is Here to Stay Process over Performance By NAfME Member Nicole Guimaraes The original article first appeared on Nicole Guimaraes’s blog. Virtual Performances—they have become commonplace in…
Resources for Learning the Violin Audition Excerpt: Brahms Symphony No. 1, Mvt. 2, Solo By NAfME Member Tomás Cotik Copyright © by Tomás Cotik – All rights reserved. The April 2021…